In Edgar Saltus’ novel ‘The Lords of the Ghostland’, readers are taken on a journey through a dark and mysterious underworld where deceit, power struggles, and supernatural occurrences reign supreme. Saltus’ writing style is rich in vivid imagery and intricate descriptions, creating a gothic atmosphere that keeps readers on the edge of their seats. Set in the late 19th century, the book explores themes of corruption, ambition, and the battle between good and evil. Saltus’ work is reminiscent of other gothic literature of his time, such as works by Poe and Stoker, but with a unique twist that sets it apart. The intricate plot and complex characters make ‘The Lords of the Ghostland’ a compelling read for those who enjoy dark, atmospheric tales of the supernatural. Edgar Saltus, known for his decadent and often controversial writing, likely drew inspiration from his own fascination with the macabre and the unknown when crafting this haunting story. His attention to detail and ability to weave together intricate plotlines demonstrate his mastery of the genre. Readers looking for a gripping gothic novel that delves into the depths of human nature will find ‘The Lords of the Ghostland’ to be a captivating and thought-provoking read.
Giới thiệu về tác giả
Edgar Saltus (1855–1921) was an American writer known primarily for his highly stylized prose and themes often centered on the philosophy of decadence and aestheticism. Born into a wealthy New York family, Saltus attended Columbia College but instead of pursuing the legal career for which he had trained, he turned to literature. Influenced by the French Symbolists and writers such as Balzac and Flaubert, Saltus cultivated a reputation for his erudite and opulent style. His work spans a variety of genres, including biography, fiction, and social commentary, and it is marked by a fascination with the macabre and the decadent, evident in novels like ‘The Philosophy of Disenchantment’ and ‘The Anatomy of Negation.’ Of particular note is ‘The Lords of the Ghostland: A History of the Ideal’ (1907), a survey of world religions and philosophies presented with his characteristic flair for the dramatic and the paradoxical. Though his popularity waned in the 20th century, his work has enjoyed periodic revivals among scholars attuned to fin-de-siècle literature and the undercurrents of early modernist style. Saltus’s contribution to American letters lies in his idiosyncratic blend of cynicism, elegance, and psychological insight.
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