How is it possible that despite the destruction of its infrastructure during the Siege of Sarajevo in the 1990s, Bosnian cinema rapidly rose to claim many of the most prestigious awards in world cinema during the 2000s? Were Bosnian films simply ‘better’ than those from neighbouring post-Yugoslav countries? Perhaps not. This work proposes that the international success of Bosnian films since the turn of the millennium has been due to how they enact Western prejudices concerning the war and its consequences. Delivering films with national narratives which associate the country with primitiveness and victimhood, Western audiences have engaged in dark tourism of the Bosnian screen.
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Ngôn ngữ Anh ● định dạng EPUB ● Trang 26 ● ISBN 9781909183872 ● Nhà xuất bản Andrews UK ● Được phát hành 2015 ● Có thể tải xuống 3 lần ● Tiền tệ EUR ● TÔI 4431339 ● Sao chép bảo vệ Adobe DRM
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