Emmanuel Levinas’s ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films – including the Dardennes’ Le Fils and The Kid with a Bike, Schroeder’s Maitresse and Reversal of Fortune and Schrader’s American Gigolo and The Comfort of Strangers – Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.
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Ngôn ngữ Anh ● định dạng PDF ● ISBN 9781474444026 ● Nhà xuất bản Edinburgh University Press ● Được phát hành 2019 ● Có thể tải xuống 3 lần ● Tiền tệ EUR ● TÔI 9481798 ● Sao chép bảo vệ Adobe DRM
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