Finalist for the 2024 National Book Award for Poetry
In her new poetry collection, Evie Shockley mobilizes visual art, sound, and multilayered language to chart routes towards openings for the collective dreaming of a more capacious ‘we.’ How do we navigate between the urgency of our own becoming and the imperative insight that whoever we are, we are in relation to each other? Beginning with the visionary art of Black women like Alison Saar and Alma Thomas, Shockley’s poems draw and forge a widening constellation of connections that help make visible the interdependence of everyone and everything on Earth.
perched
i am black, comely,
a girl on the cusp of desire.
my dangling toes take the rest
the rest of my body refuses. spine upright,
my pose proposes anticipation. i poise
in copper-colored tension, intent on
manifesting my soul in the discouraging world.
under the rough eyes of others, i stiffen.
if i must be hard, it will be as a tree, alive
with change. inside me, a love of beauty rises
like sap, sprouts from my scalp
and stretches forth. i send out my song, an aria
blue and feathered, and grow toward it,
choirs bare, but soon to bud. i am
black and becoming.
—after Alison Saar’s Blue Bird
Mục lục
alma’s arkestral vision (or, farther out) • we :: becoming & going • perched • no car for colored (+) ladies (or, miss wells goes off [on] the rails)• the blessings the beauties: third dimension • blues-elegy for cheryl • (in)site unseen • sol(ace) song • the lost track of time • we :: uppity & down • women’s voting rights at one hundred (but who’s counting?) •nature studies • fruitful • dive in • what does it mean to be human? • in this light • ‘the musician stands out’ (or, le musée de l’orangerie curates a history lesson) • breonna taylor’s final rest (or, the furies are still activists) • color-bleeding • destin(ed)ation • migratory patterns: birds of paradise • we :: indurate & out • virtually free • fire works • can’t unsee 50 an inoculation against innocence • one foot out of the panorama • umbra’s ell • in relation: a semi-cento with, for, and about john keene (et al.) • jury duty • prefixed • holla •anti-immigration • ex patria • we :: adhere & there • the center of a tension • direct to your table • we’d like to propose— • brava gente • pantoum: 2020 • sonnet for the long second act • facing south •les milles • notes • acknowledgements
Giới thiệu về tác giả
Poet & literary scholar Evie Shockley thinks, creates, and writes with her eye on a Black feminist horizon. Her books of poetry include suddenly we, semiautomatic and the new black. Her work has twice garnered the Hurston/Wright Legacy Award, has been named a finalist for the Pulitzer Prize, and has appeared internationally. Her honors include the Poetry Society of America’s Shelley Memorial Award, the Lannan Literary Award for Poetry, the Holmes National Poetry Prize, and the Stephen Henderson Award, and her joys include participating in poetry communities such as Cave Canem and collaborating with like-minded artists working in various media. Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University.
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