Canada’s master playwright applies his trademark black humour and incredibly crisp dialogue to the family and multiculturalism.
We the Family follows the ripple effects within two culturally and racially divergent families when their children wed. The list of characters in We the Family reads like an ethnic joke, which, indeed, it is, at least in part: the son of the main characters, David and Lizzie Kaplan, a Jewish–Irish-Catholic mixed marriage, marries the daughter of Jenny Lee, a Chinese-Canadian widow. The supporting cast includes a Russian, a Palestinian, and an Italian, with Pakistanis, Sicilians, and still more Russians offstage in the wings.
By the end of the play, Walker has deconstructed the dysfunctional Kaplan and Lee families and family love as well. Through the play’s pervading treachery, with family members and lovers betraying each other in horrific ways, he satirizes the hypocrisy of expounding family values while behaving with vicious preoccupation. These hyphenated Canadians certainly aren’t “nice, ” and no quantity of “sweet-and-sour matzah balls” (which the Kaplan matriarch serves at the multicultural wedding reception) can hide the nasty taste.
Cast of 3 men and 7 women.
Giới thiệu về tác giả
Chris Johnson is a professor of English literature, specialing in Canadian drama and theatre, at the University of Manitoba. He recently co-directed Tom Stoppard’s Rosencrantz and Guildenstern Are Dead with Margaret Groome for Stoppardfest 2007. Johnson was one of the first writers to bring the work of George F. Walker to critical attention, and he continues to write and give papers on Walker and dark comedy in Canadian drama.
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