Acting Greek Tragedy explores the dynamics of physical interaction and the dramaturgical construction of scenes in ancient Greek tragedy. Ley argues that spatial distinctions between ancient and modern theatres are not significant, as core dramatic energy can be placed successfully in either context.
Guiding commentary on selected passages from Aeschylus, Sophocles and Euripides illuminates the problems involved with performing monologue, dialogue, scenes requiring three actors, and scenes with properties. A companion website – actinggreektragedy.com – offers recorded illustrations of scenes from the Workshops.
What the book offers is a practical approach to the preparation of Greek scripts for performance. The translations used have all been tested in workshops, with those of Euripides newly composed for this book.
The companion website can be found here: www.actinggreektragedy.com
Mục lục
Preface
Introduction
First Workshop: Monologues
Second Workshop: Dialogues
Third Workshop: Three-actor Scenes
Fourth Workshop: Properties
Last Thoughts: Looking Back, and Forwards
Thanks
Notes on the Recordings
Index of Greek names and characters
General Index
Giới thiệu về tác giả
Graham Ley is Professor Emeritus of Drama and Theory at the University of Exeter. He has taught drama in the Universities of London and Auckland as well as Exeter, and has directed and translated for the theatre. He was dramaturg to John Barton in Tantalus directed by Peter Hall (Denver USA, 2000, UK, 2001).His particular interests lie in comparative performance theory, dramaturgy, performance in the ancient Greek theatre, and British Asian theatre. He held a Leverhulme Fellowship in 2000-2001, and was the award-holder for an AHRC-funded research project on the history of British Asian Theatre, active from October 2004 to March 2009.In July 2010 he was invited to give a keynote on British Asian Theatre at the conference Theater und Migration at the Comedia Theatre in Cologne. In January 2013 he was invited to contribute to one of a series of causeries at the Witte de With Centre for Contemporary Art in Rotterdam, as part of the activity surrounding the preparation of Alexandre Singh’s work, The Humans. In September 2014 he was asked to compile the timeline on the history of British Asian theatre production in London for the programme of the London revival of East Is East, at the Trafalgar Studios which opened in October.His books include A Short Introduction to the Ancient Greek Theater (2nd edition, 2006) and The Theatricality of Greek Tragedy (2007). In 2014 he published Ancient Greek and Contemporary Performance: Collected Essays and Acting Greek Tragedy, a workshop-approach with an associated website at actinggreektragedy.com
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