What Maisie Knew Henry James – What Maisie Knew is a novel by Henry James, first published as a serial in The Chap-Book and (revised and abridged) in the New Review in 1897 and then as a book later that year. It tells the story of the sensitive daughter of divorced, irresponsible and narcissistic parents. The book follows the title character from earliest childhood to precocious maturity.
At first, Maisie didn’t know much ? she was only six years old when her mother and father divorced. Her embittered parents shared custody, using the child as a pawn in their struggles. Neglected and exploited, Maisie shuttled back and forth between their homes. The things she saw and overheard, as her elders re-married and conducted adulterous affairs, hastened her growth from early childhood to a precocious maturity.
Rather than offering a gloomy tale of innocence corrupted, What Maisie Knew abounds in dark humor and savage wit. Henry James takes particular aim at the mores of the English upper classes in his tale of a sensitive little girl and her spirited reaction to irresponsible, self-absorbed adults. Written in an era when divorce was far less common than it is today, this 1897 novel is strikingly modern in its subject and narrative voice.
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Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting.James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism, and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.
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