A timely addition to Routledge’s ‘Criticism and Analysis of Early Music’ series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view musical borrowing.
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Ngôn ngữ Anh ● định dạng PDF ● Trang 224 ● ISBN 9780203486252 ● Biên tập viên Honey Meconi ● Nhà xuất bản Taylor and Francis ● Được phát hành 2003 ● Có thể tải xuống 6 lần ● Tiền tệ EUR ● TÔI 2293171 ● Sao chép bảo vệ Adobe DRM
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