About to be fired from her cleaning job for stealing a volume of Euripides, Jude turns her employer's outrage to shock by translating the ancient Greek on the spot. The employer, a Classics teacher, knows great talent when she sees it and the encounter kick-starts Jude's lifelong ambition to study at Oxford University. Entirely self-taught and possessing an astonishing gift for languages, Jude will stop at nothing to achieve her dream – but she remains oblivious to the hidden barriers that her background has placed in her path…
Howard Brenton's play, loosely inspired by Thomas Hardy's novel Jude the Obscure, is a modern day tale of unexpected genius and of our struggle to accommodate extraordinary talent.
Jude premiered at Hampstead Theatre in May 2019.
Giới thiệu về tác giả
Howard Brenton was born in Portsmouth in 1942. His many plays include Christie in Love (Portable Theatre, 1969); Revenge (Theatre Upstairs, 1969); Magnificence (Royal Court Theatre, 1973); The Churchill Play (Nottingham Playhouse, 1974, and twice revived by the RSC, 1978 and 1988); Bloody Poetry (Foco Novo, 1984, and Royal Court Theatre, 1987); Weapons of Happiness (National Theatre, Evening Standard Award, 1976); Epsom Downs (Joint Stock Theatre, 1977); Sore Throats (RSC, 1978); The Romans in Britain (National Theatre, 1980, revived at the Crucible Theatre, Sheffield, 2006); Thirteenth Night (RSC, 1981); The Genius (1983), Greenland (1988) and Berlin Bertie (1992), all presented by the Royal Court; Kit’s Play (RADA Jerwood Theatre, 2000); Paul (National Theatre, 2005); In Extremis (Shakespeare’s Globe, 2006 and 2007); Never So Good (National Theatre, 2008); The Ragged Trousered Philanthropists adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare’s Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); The Guffin (NT Connections, 2013); Drawing the Line (Hampstead Theatre, 2013) and Doctor Scroggy's War (Shakespeare's Globe, 2014); Lawrence After Arabia (Hampstead Theatre, 2016) and The Blinding Light (Jermyn Street Theatre, 2017).
Collaborations with other writers include Brassneck (with David Hare, Nottingham Playhouse, 1972); Pravda (with David Hare, National Theatre, Evening Standard Award, 1985) and Moscow Gold (with Tariq Ali, RSC, 1990). Versions of classics include The Life of Galileo (1980) and Danton’s Death (1982) both for the National Theatre, Goethe’s Faust (1995/6) for the RSC, a new version of Danton’s Death for the National Theatre (2010) and Dances of Death (Gate Theatre, 2013). He wrote thirteen episodes of the BBC1 drama series Spooks (2001–05, BAFTA Best Drama Series, 2003).
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