In The History Question, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what’s at stake – what kind of history do we want and need? Should our historians be producing the ‘objective record of achievement’ that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth.
For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for storytelling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenville’s novel The Secret River, and discusses the Stolen Generations and the role of morality in history-writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nation’s past.
“Who owns the past? In a free society, everyone. It is a magic pudding belonging to anyone who wants to cut themselves a slice, from legend-manufacturers through novelists looking for ready-made plots, to interest groups out to extend their influence.” Inga Clendinnen, The History Question
This issue also contains correspondence discussing Quarterly Essay 22, Voting for Jesus, from Marion Maddox, Edmund Campion, Peter Jensen, Paul Collins, Tim Costello, Andrew Dunstall, Bill James, Angela Shanahan, Tamas Pataki, and Amanda Lohrey
Giới thiệu về tác giả
Inga Clendinnen is a distinguished historian of the Spanish encounters with Aztec and Maya indians of sixteenth-century America. Her Reading the Holocaust was named a New York Times best book of the year and awarded the NSW Premier’s General History Award in 1999. Clendinnen’s ABC Boyer Lectures, True Stories, were published in 2000, as was her award-winning memoir, Tiger’s Eye. In 2003 Dancing With Strangers attracted wide critical acclaim. Her latest book is Agamemnon’s Kiss: Selected Essays.
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