A San Francisco dominatrix, Elizabeth Cromwell, is drawn into the sudden disappearance of Edith Barlow, an heir to the estate of an old friend of Elizabeth’s, a woman who herself had vanished seven years earlier. A struggling poetry zine, a mom-and-pop mobile diner in the Northern California redwoods, a 400-meter hurdler who just missed the 2004 Olympics, a women’s track coach with a yen for bullwhips, a billionaire with a state-of-the-art S&M dungeon, a man serving a life sentence in Alabama, an enigmatic signature, K(s, x), on a cheap oil painting, an erotic art dealer in Georgia-these are a few of the many mysterious parts in a highly convoluted string of strange disappearances that Elizabeth puts together with the help of an ex-Missouri Highway Patrolman retired in San Francisco on physical disability.
Giới thiệu về tác giả
At age 14, Jennifer Mason left Kansas for Malibu. With a nagging alter ego, neither able to talk herself into or out of a commitment to writing, she took the coast road to San Francisco. In an abandoned Prohibition speakeasy, she invented the English Department, where she discovered a voice in a brand of professional dominance as mysterious in its puritan fantasy as it is comical in its enactments of how we need to feel. She is the author of five previous novels, The Oddball Gypsy Raconteur, Valedictorian, Sebastopol, Tors Lake, and Partitions of Unity. Her stories follow their characters through scenes of what they think they see when they are most confused, the way things usually are when we struggle for an erotic connection. She lives and writes on Noe Street.
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