Mục lục
Acknowledgements
Preface
Introduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov
1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes
2. Mournful Insensitivity: The Apocalypse of the Modern
3. Days of the Eclipse: ‘Adieu, Babylone’; Adieu, Tarkovsky
4. Save and Protect: Of Angels and Flies
5. The Second Circle: Winter, Light, and the Intimate Sublime
6. The Stone: No Way Home
7. Whispering Pages: Death, Nothingness, Memory
8. Mother and Son: Time Abolished, Time Transfigured
9. Moloch: Adi (and Eve): Fear Eats the Soul
10. Taurus: ‘Father, where art thou?’
11. Russian Ark: Imperial Elegy
12. Father and Son: Beyond Absolute Intimacy
13. The Sun: Iconoclastic Humanism
14. Alexandra: The Return to Neverwas and the Ambiguity of Romance
15. Faust: Sokurov Waltz
Postscript On the Poetics of Space in Sokurov’s Tetralogy (Moloch/Taurus/The Sun/Faust)
Conclusion
Postface
Addendum A: interview with Alexander Sokurov, 2005
Addendum B: interview with Alexander Sokurov, 2013
Filmography
Bibliography
Index
Giới thiệu về tác giả
Jeremi Szaniawski holds a Ph D from Yale University, and is an award-winning independent filmmaker living and working in Los Angeles. He is also coeditor ofDirectory of World Cinema: Belgium (2013).
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