Tác giả: Katherine Mullin

‘;Nearly every major figure of his era, ‘ writes his biographer Adrian Frazier, ‘;worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore.’ The Anglo-Irish noveli …

Working Girls: Fiction, Sexuality, and Modernity investigates the significance of a new form of sexual identity at the end of the nineteenth and beginning of the twentieth century. Young women of the …

‘Because one book had a sort of success he imagined his struggles were over.’ Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of cr …

‘Because one book had a sort of success he imagined his struggles were over.’ Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of cr …

‘I do not know that one ought to be surprised at anything.’ The Duke of Omnium is overwhelmed by the death of his vivacious wife, Lady Glencora. Once the British Prime Minister, he is now in sole cha …

‘I do not know that one ought to be surprised at anything.’ The Duke of Omnium is overwhelmed by the death of his vivacious wife, Lady Glencora. Once the British Prime Minister, he is now in sole cha …

‘The fact is, Mark, that you and I cannot conceive the depth of fraud in such a man as that.’The Reverend Mark Robarts makes a mistake. Drawn into a social set at odds with his clerical responsibilit …

‘The fact is, Mark, that you and I cannot conceive the depth of fraud in such a man as that.’The Reverend Mark Robarts makes a mistake. Drawn into a social set at odds with his clerical responsibilit …