Surveying irreverent and controversial representations of the Holocaust – from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy – Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human.
Mục lục
Introduction PART I: POETRY Sylvia Plath, Ariel (1965) and Other Poems W. D. Snodgrass, The Fuehrer Bunker (1995) PART II: POPULAR MUSIC American Punk: Ramones, Ramones (1976) English Punk: Sex Pistols, Never Mind the Bollocks , Here’s the Sex Pistols (1977) and The Great Rock ‘n’ Roll Swindle (1979) Post-Punk: Joy Division, Closer (1980) Post-Punk Rock: Manic Street Preachers, The Holy Bible (1994) PART III: FILM Night and Fog (Alain Resnais, 1955) Shoah (Claude Lanzmann, 1985) The Grey Zone (Tim Blake Nelson, 2001) Inglourious Basterds (Quentin Tarantino, 2009) Index
Giới thiệu về tác giả
Matthew Boswell is a Research Fellow in the School of English at the University of Leeds, UK
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