Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution.
Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.
Mục lục
Acknowledgments
Introduction
1. How the Internet Lost (and Found) Its Body: The Dream of Disintermediation from the Mail Coach to Transoceanic Cables
2. Data Ethics from Realism to the Right to Be Forgotten
3. Henry James, Counting Words, and Machine Reading
4. Jekyll, Hyde, and the Dark Side of Digital Humanities
5. The Archaeology of Victorian New Media
Afterword: The Digital Victorian Frame of Mind, 1957–2020
Notes
Index
Giới thiệu về tác giả
Paul Fyfe is Associate Professor in the Department of English, North Carolina State University. He is the author of
By Accident or Design: Writing the Victorian Metropolis (2015).
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