Mục lục
Introduction: approaching British rural landscapes on film – Paul Newland
1 Silent landscapes: rural settings, national identity and British silent cinema – Andrew Higson
2 British landscapes in pre-Second World War film publicity – Paul Moody
3 Rural imagery in World War Two British cinema – Tom Ryall
4 ‘An unlimited field for experiment’: Britain’s stereoscopic landscapes – Keith M. Johnston
5 The figure (and disfigurement) in the landscape: The Go-Between’s picturesque – Mark Broughton
6 ‘Here is Wales, there England’: Contested borders and blurred boundaries in On the Black Hill – Kate Woodward
7 Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema – Duncan Petrie
8 Fantasy, fallacy and allusion: reconceptualizing British landscapes through the lens of children’s cinema – Suzanne Speidel
9 Picturesque, pastoral and dirty: uncivilised topographies in Jane Eyre and Wuthering Heights – Stella Hockenhull
10 Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan’s Claw – Paul Newland
11 sleep furiously: interview with Gideon Koppel – Paul Newland
12 Film and the repossession of rural space: interview with Patrick Keiller – Paul Newland
Index
Giới thiệu về tác giả
Paul Newland is Senior Lecturer in Film at Aberystwyth UniversityThêm sách điện tử từ cùng một tác giả / Biên tập viên
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