From the fluttering fabric of a tent, to the blurred motion of the potter’s wheel, to the rhythm of a horse puppet’s wooden hooves—these scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when America’s image of India was as a place of desperate poverty and spectacular fantasy. Displaying Time unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists.
Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now.
Mục lục
1. Flickering Light, Fluttering Textiles
An Interruption: Derridean Temporality at the Festival
2. Material Transformations: Clay, Terracotta, Trash
3. Time, Interrupted: People in the Gallery
4. Entrepreneurial Exhibits
5. The Contemporary, at a Distance
6. Setting Up the Tent Anew
Giới thiệu về tác giả
Padma Kaimal is Batza Professor of Art and Art History at Colgate University. She is the author of Scattered Goddesses: Travels with the Yoginis (Association for Asian Studies, 2013) and Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space (Washington, 2021).
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