There’s nothing pure about modernism. For all the later critical emphasis upon "medium specificity", modernist artists in their own times revel in the exchange of motifs and tropes from one kind of art to another; they revel in staging events where different media play crucial roles alongside each other, where different media interfere with each other, to spark new and surprising experiences for their audiences. This intermediality and multi-media activity is the subject of this important collection of essays. The authoritative contributions cover the full historical span of modernism, from its emergence in the early twentieth century to its after-shocks in the 1960s. Studies include Futurism’s struggle to create an art of noise for the modern age; the radical experiments with poetry; painting and ballet staged in Paris in the early 1920s; the relationship of poetry to painting in the work of a neglected Catalan artist in the 1930s; the importance of architecture to new conceptions of performance in 1960s "Happenings"; and the complex exchange between film, music and sadomasochism that characterises Andy Warhol’s "Exploding Plastic Inevitable".
Rhys Davies & Christopher Townsend
Across the Great Divide [PDF ebook]
Modernism’s Intermedialities, from Futurism to Fluxus
Across the Great Divide [PDF ebook]
Modernism’s Intermedialities, from Futurism to Fluxus
Mua cuốn sách điện tử này và nhận thêm 1 cuốn MIỄN PHÍ!
định dạng PDF ● Trang 259 ● ISBN 9781443870207 ● Biên tập viên Rhys Davies & Christopher Townsend ● Nhà xuất bản Cambridge Scholars Publishing ● Được phát hành 2014 ● Có thể tải xuống 3 lần ● Tiền tệ EUR ● TÔI 3522273 ● Sao chép bảo vệ Adobe DRM
Yêu cầu trình đọc ebook có khả năng DRM