That rare thing, an academic study of music that seeks to tie together the strands of the musical text, the industry that produces it, and the audience that gives it meaning… A vital read for anyone interested in the changing nature of popular music production and consumption’
– Dr Nathan Wiseman-Trowse, The University of Northampton
Popular music entertains, inspires and even empowers, but where did it come from, how is it made, what does it mean, and how does it eventually reach our ears?
Tim Wall guides students through the many ways we can analyse music and the music industries, highlighting crucial skills and useful research tips.
Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work. Written with clarity, flair and enthusiasm, it covers:
- Histories of popular music, their traditions and cultural, social, economic and technical factors
- Industries and institutions, production, new technology, and the entertainment media
- Musical form, meaning and representation
- Audiences and consumption.
Students′ learning is consolidated through a set of insightful case studies, engaging activities and helpful suggestions for further reading.
Mục lục
Introduction: Definitions and Approaches
PART ONE: HISTORIES
Constructing Histories of Popular Music
Musical and Cultural Repertoires
Social, Economic and Technical Factors
Writing Popular Music History
PART TWO: INDUSTRIES AND INSTITUTIONS
An Overview of Popular Music Production
Taking Issue with the Record Industry
Popular Music and the Media
PART THREE: FORM, MEANING AND REPRESENTATION
Form
Meaning
Representation
PART FOUR: AUDIENCES AND CONSUMPTION
The Sociology of the Music Consumer
Listening, and Looking
Dancing
Acquiring, Organising and Sharing music
Giới thiệu về tác giả
Tim Wall is Professor of Radio and Popular Music Studies in the Faculty of Arts, Design and Media at Birmingham City University in the UK. He taught on BA and MA programmes in media and cultural studies for over 25 years, specialising in radio, popular music and music industries. He researches into the production and consumption cultures around music and the media, and works on knowledge exchange projects with the wider creative industries. He was formerly an AHRC Knowledge Exchange Fellow and the Principal Investigator of the BBC Listeners Online project, along with leader on seven other major research projects. His publications have included the second edition of his book Studying Popular Music Culture (Sage), and the second edition of the jointly authored Media Studies: Texts, Production and Context (Longman). His jointly edited The Northern Soul Scene (Equinox) was published in 2019. He has also published articles on music radio online, punk fanzines, the transistor radio, personal music listening, popular music on television, television music histories, jazz collectives, Duke Ellington on the radio, The X Factor and radio sound. He is currently writing the history of jazz on BBC radio from 1923 to 1973 (Equinox) and a co-editing a book on rethinking Miles Davis (OUP).
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