Excerpt: "With singular unanimity critics for thirty years have slighted the work of Arthur Machen. A line suffices for him in Holbrook Jackson’s "The Eighteen Nineties, " and Mr. Blaikie-Murdoch ignores him completely in "The Renaissance of the Nineties"; yet those are the standard works on the period to which, chronologically, at least, Machen belongs. Mr. Turquet-Milnes, with greater appreciation, gives him a half-chapter in his scholarly work, "The Influence of Baudelaire, " but even that is made up largely of quotations from "The Hill of Dreams, " to prove Machen a descendent of Baudelaire-an error to which I subscribed until Machen himself disillusioned me, although the assertion is still partially true."