Ada Leverson’s ‘Love at Second Sight’ is a captivating novel that revolves around themes of love, society, and personal growth. Set in the early 20th century with its impeccable wit and subtle humor, Leverson’s writing style can be compared to that of Jane Austen. Through the intricately woven plot and well-developed characters, the author offers a satirical commentary on the class-conscious society of her time. The book’s engaging narrative and keen observations make it a delightful read for fans of classic literature. Ada Leverson, a contemporary of Oscar Wilde and a key figure in the literary circle of the time, drew from her own experiences as an upper-class woman in Edwardian England to create a vivid and realistic portrayal of the society in ‘Love at Second Sight’. Her sharp insights and social commentary reflect her deep understanding of human nature and relationships. I highly recommend ‘Love at Second Sight’ to readers who appreciate classic literature, witty humor, and insightful social commentary. Ada Leverson’s novel offers a refreshing perspective on love and society that is both timeless and relevant even today.
关于作者
Ada Leverson (1862–1933), a British writer and humorist, is renowned for her close association with the aesthetic movement in the late 19th and early 20th centuries, and her friendship with Oscar Wilde, who affectionately dubbed her the ‘Sphinx’. With a literary output that sparkled with wit and satire, Leverson was a noteworthy figure in the transition from Victorian to modern sensibilities in English literature. Her works often explored themes of love, social mores, and the complexities of matrimonial relationships, which were depicted with a lightness of touch and a rapier wit that endeared her to her contemporaries and modern readers alike. ‘Love at Second Sight’, a novel that showcases Leverson’s characteristic blend of humor and insight, is a testament to her literary style, distinguished by its incisive social commentary and drollery (Leverson, 1916). Leverson’s work is characterized by its epigrammatic brilliance, and her dialogue frequently sparkles with a polished finesse reminiscent of Wilde’s own (Beckson, 1985). Though not as widely remembered in the contemporary literary canon as some of her peers, Leverson nonetheless made significant contributions to the field with her novels, short stories, and essays, all of which reflect the zeitgeist of an era on the cusp of modernity (Ardis, 2002).
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