作者: Adam Ledgeway

A rich and long literary tradition (dating back as early as the late 13th century), coupled with an abundance of diachronic and synchronic variation, affords Neapolitan a privileged position amongst …

Negation ist eine universelle Eigenschaft der menschlichen Sprache. Als primäre Disziplin der Logik tritt Negation in typologisch unterschiedlichsten Erscheinungsformen auf und spielt eine große Roll …

This book examines diachronic change and diversity in the morphosyntax of Romance varieties spoken in Italy. These varieties offer an especially fertile terrain for research into language change, bec …

The Oxford Guide to the Romance Languages is the most exhaustive treatment of the Romance languages available today. Leading international scholars adopt a variety of theoretical frameworks and appro …

This book examines the grammatical changes that took place in the transition from Latin to the Romance languages. The emerging languages underwent changes in three fundamental areas involving the nou …

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Change is an inherent feature of all aspects of language, and syntax is no exception. While the synchronic study of syntax allows us to make discoveries about the nature of syntactic structure, the s …

Change is an inherent feature of all aspects of language, and syntax is no exception. While the synchronic study of syntax allows us to make discoveries about the nature of syntactic structure, the s …

This volume brings together contributions from leading specialists in syntax and morphology to explore the complex relation between periphrasis and inflexion from both a synchronic and diachronic per …

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Romance is a fertile ground for linguistic research. Instead of limiting their studies to one specialised area, some Romance scholars have managed to combine different aspects of the broad field of R …

Clefts are intricate objects which, starting with Jespersen (1937), have motivated much work in descriptive and formal linguistics. Nonetheless, almost a century later their exact internal structure …

Clefts are intricate objects which, starting with Jespersen (1937), have motivated much work in descriptive and formal linguistics. Nonetheless, almost a century later their exact internal structure …