Discipleship is embodied. Formation in the Christian life is not an otherworldly exercise but one that plays out in this world, interwoven with everyday sensory experience in ordinary life. The Aesthetics of Discipleship explores this dynamic through Kierkegaard’s framing of ‘aesthetic existence’–the sensory experience of being ‘in the moment’–further developed by Bonhoeffer, as operating within a realm of freedom, encompassing not only art but play, friendship, and cultural formation. In addition to Kierkegaard and Bonhoeffer, the work of Iain Mc Gilchrist, Graham Ward, and Nicholas Wolterstorff is employed to offer a fresh perspective on discipleship, ‘from below’: Everyday sensory experiences are integral not only to being human but to the practice of discipleship, such that discipleship integrates aesthetic, ethical, and religious existence. Aesthetic existence unhinged from a life of faith or fueled by distorted Christendom creates and sustains aestheticized pseudorealities centered on the self. Mature aesthetic existence, however, anchored in love for God, plays a fundamental role in the Christian life, both as the incarnational celebration of being fully human, and also through the preconscious formation of imaginaries by which we live.
关于作者
One of South Africa’s most celebrated theologians, John W. de Gruchy is also a woodworker, with pieces in many churches, schools, and homes throughout the country and abroad. Among his recent books are Confessions of a Christian Humanist and Led into Mystery. He and his wife, Isobel, are members of the Volmoed Christian Community near Hermanus, South Africa, where he writes, gives seminars, and does woodworking, while Isobel paints and writes poetry.
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