A Companion to Robert Altman presents myriad aspects of
Altman’s life, career, influence and historical context. This
book features 23 essays from a range of experts in the field,
providing extensive coverage of these aspects and dimensions of
Altman’s work.
* The most expansive and wide-ranging book yet published on
Altman, providing a comprehensive account of Altman’s
complete career
* Provides discussion and analysis of generally neglected aspects
of Altman’s career, including the significance of his work in
television and industrial film, the importance of collaboration,
and the full range and import of his aesthetic innovations
* Includes essays by key scholars in ‘Altman
studies’, bringing together experts in the field, emerging
scholars and writers from a broad range of fields
* Multi-disciplinary in design and draws on a range of approaches
to Altman’s work, being the first substantial publication to
make use of the recently launched Robert Altman Archive at the
University of Michigan
* Offers specific insights into particular aspects of film style
and their application, industrial and aesthetic film and TV
history, and particular areas such as the theorisation of space,
place, authorship and gender
表中的内容
Contributors viii
1 ‘It’s OK with me’: Introducing Robert Altman 1
Adrian Danks
Part One Zoom in: Becoming Altman 19
2 Sponsoring the Hollywood Renaissance: Reappraising Altman’s Industrial Films 21
Mark Minett
3 From Alfred Hitchcock Presents to Tanner on Tanner: The Long Tail of Altman’s Television Career 44
Tony Williams
4 Just a Station on His Way? Altman’s Transition from Television to Film 68
Nick Hall
5 Breaking the Rules: Altman, Innovation and the Critics 92
David Sterritt
Part Two ‘I’ve got Poetry in Me’: Seeing and Hearing Altman 117
6 The Porous Frame: Visual Style in Altman’s 1970s Films 119
Hamish Ford
7 3 Women: Floating Above the Awful Abyss 146
Joe Mc Elhaney and In memory of Tom Hopkins
8 The Multitrack World of California Split 166
Wheeler Winston Dixon
9 The Democratic Voice: Altman’s Sound Aesthetics in the 1970s 184
Jay Beck
10 Creativity and Compromise: California Split’s Original Soundtrack 210
Gayle Magee
Part Three Placing Altman: Space, History and Genre 231
11 High Hollywood in The Long Goodbye 233
Murray Pomerance
12 Altman and the Western, or a Hollywood Director’s History Lesson of the American West 254
Stephen Teo
13 Altman/Nixon/Reagan: Honorable Secrets, Historical Analogies and the Nexus of Anger 274
Rick Armstrong
14 LA and Paris: The Construction of Social Space in the Films of Altman 296
Robert T. Self
15 ‘The Man I Love, ‘ or Time Regained: Altman, History and Kansas City 321
Adrian Danks
Part Four Being Altman: Character, Performance and Situation 347
16 ‘One is Both the Same’: Fantasy and Female Psychosis in Images and That Cold Day in the Park 349
David Melville
17 Nashville: Second City Performance Comes to Hollywood 369
Virginia Wright Wexman
18 Altman: The Artist in Middle Age 390
Christos Tsiolkas
19 Lawful Lawyer, Vigilante Father: Altman, Masculinity and The Gingerbread Man 401
Tom Dorey
Part Five Zoom out: After ‘Altman’ 423
20 Staging the ‘Rebel’s Return’: The Player, Short Cuts and the Precarious Art of the Comeback 425
Dimitrios Pavlounis
21 The End of the Hollywood Hero: Dr T & the Women and Altman’s Multi?]Protagonist Narratives 448
María del Mar Azcona
22 The Long Reach of Short Cuts 465
Robert P. Kolker
23 Kicking and Screaming: Altmanesque Cynicism and Energy in the Work of Paul Thomas Anderson and Noah Baumbach 480
Claire Perkins
Index 501
关于作者
Adrian Danks is Director of Higher Degree Research in the
School of Media and Communication, Royal Melbourne Institute of
Technology (University). He is also co-curator of the Melbourne
Cinémathèque and co-editor of Senses of Cinema. He
has published widely on various subjects including found footage
cinema, auteurism, cinephilia, rear-projection, the film-on-film,
Iranian cinema, Australian cinema, film restoration and home movies
in a range of books and journals.
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