北美，中美洲

Ingmar Bergman’s films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from t …

From his early horror movies, including Scanners, Videodrome, Rabid, and The Fly—with their exploding heads, mutating sex organs, rampaging parasites, and scientists turning into insects—to his inven …

The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France and earning a nomination for an Academy …

A refugee from post–World War II Europe who immigrated to the US in 1949, Jonas Mekas (1922–2019) became one of America’s foremost champions of independent cinema and one of its most innovative filmm …

Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capit …

Among the most innovative and influential filmmakers of the twentieth century, Alain Resnais (1922–2014) did not originally set out to become a director. He trained as an actor and film editor and, d …

With her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming the first woman to win an Oscar for Best Director. Since then she has also filmed history with her m …

For five decades, no American filmmaker has been as prolific—or as paradoxical—as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced a …

In the late 1950s, Mike Nichols (1931–2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and …

During his forty-five-year career, William Wyler (1902–1981) pushed the boundaries of filmmaking with his gripping storylines and innovative depth-of-field cinematography. With a body of work that in …