Unmaking Race, Remaking Soul explores innovative approaches to analyzing cultural productions through which women of color have challenged and undermined social and political forces that work to oppress them. Emphasizing art-making practices that emerge out of and reflect concrete lived experience, leading contributors to the fields of contemporary psychoanalytic literary analysis, Latin American studies, feminist theory, Native Women’s studies, Africana studies, philosophy, and art history examine the relationship between the aesthetic and the political.
The focus of the book is on the idea of aesthetic agency through which one develops different modes of expression and creative practices that facilitate personal and social transformation. Aesthetic agency is liberating in a broad sense—it not only frees our creative capacities but also expands our capacity for joy and our abilities to know, to judge, and to act. Artists considered include Nadema Agard, Julia Alvarez, Ana Castillo, Daystar/Rosalie Jones, Coco Fusco, Diane Glancy, Martha Jackson-Jarvis, Toni Morrison, Me Shell Ndegéocello, Marcie Rendon, Ntozake Shange, Lorna Simpson, Roxanne Swentzell, Regina Vater, Kay Walking Stick, and Carrie Mae Weems.
表中的内容
List of Illustrations
Foreword: “Tragedy Fatigue” and “Aesthetic Agency”
Joy James
Acknowledgments
On Making and Remaking: An Introduction
Christa Davis Acampora
I. Resisting Imagination
1. Writing the Xicanista: Ana Castillo and the Articulation of Chicana Feminist Aesthetics
Ritch Calvin
2. Everyday Revolutions, Shifting Power, and Feminine Genius in Julia Alvarez’s Fiction
Kelly Oliver
3. Authorizing Desire: Erotic Poetics and the Aisthesis of Freedom in Morrison and Shange
Christa Davis Acampora
II. Body Agonistes
4. Me Shell Ndegéocello: Musical Articulations of Black Feminism
Martha Mockus
5. Portraits of the Past, Imagined Now: Reading the Work of Carrie Mae Weems and Lorna Simpson
Kimberly Lamm
6. The Coloniality of Embodiment: Coco Fusco’s Postcolonial Genealogies and Semiotic Agonistics
Eduardo Mendieta
III. Changing The Subject
7. Pueblo Sculptor Roxanne Swentzell: Forming a Wise, Generous, and Beautiful “I Am”
Ruth Porritt
8. The Syncretism of Native American, Latin American, and African American Women’s Art: Visual Expressions of Feminism, the Environment, Spirituality, and Identity
Phoebe Farris
9. Dalit Women’s Literature: A Sense of the Struggle
Nandita Gupta
IV. Home Is Where The Art Is: Shaping Space And Place
10. The Role of “Place” in New Zealand Maori Songs of Lament
Ailsa L. Smith
11. Theater Near Us: Librarians, Culture, and Space in the Harlem Renaissance
Katherine Wilson
12. Into the Sacred Circle, Out of the Melting Pot: Re/Locations and Homecomings
in Native Women’s Theater
Jaye T. Darby
Works Cited
About the Contributors
Index
关于作者
Christa Davis Acampora is Associate Professor of Philosophy at Hunter College and the Graduate Center, the City University of New York.
Angela L. Cotten is Assistant Professor of Women’s Studies at Stony Brook University, State University of New York. They are the coeditors of
Cultural Sites of Critical Insight: Philosophy, Aesthetics, and African American and Native American Women’s Writings, also published by SUNY Press.
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