Christina Anagnostopoulou & Miguel Ferrand 
Music and Artificial Intelligence [PDF ebook] 
Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings

Hearing Maskanda outlines how people make sense of their world through practicing and hearing maskanda music in South Africa. Having emerged in response to the experience of forced labour migration i …

The first new survey of the field in more than 60 years, this study concentrates on the basics of music criticism. Because it focuses on core issues and proven principles, the book is likely to becom …

The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still f …

Simone Kr�ger provides an innovative account of the transmission of ethnomusicology in European universities, and explores the ways in which students experience and make sense of their musical and ex …

The Directory of Choral-Orchestral Music is the most comprehensive index of music written for orchestra with chorus in print today.Offering performance information about choral works by more than 900 …

From initial demos to mixing and mastering, seasoned authors Mark Cousins and Russ Hepworth-Sawyer show you how to get the most from Logic Pro X. By exploring the essential workflow and the creative …

The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular …

Mo is 31. He works in an immigration removal centre. He’s a Detention Officer. He wears a shirt, a tie, and sometimes even trousers. He’s from Bishops Stortford. Mo’s in trouble. Mo’s in love. Danger …

The music industry has been waging some very significant battles in recent years, reacting to numerous inter-related crises provoked by globalization, digitalization and the ever more extensive comme …

By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian …