In the late-nineteenth century, British travelers to the Andaman and Nicobar Islands compiled wide-ranging collections of material culture for scientific instruction and personal satisfaction. Colonial Collecting and Display follows the compelling history of a particular set of such objects, tracing their physical and conceptual transformation from objects of indigenous use to accessioned objects in a museum collection in the south of England. This first study dedicated to the historical collecting and display of the Islands’ material cultures develops a new analysis of colonial discourse, using a material culture-led approach to reconceptualize imperial relationships between Andamanese, Nicobarese, and British communities, both in the Bay of Bengal and on British soil. It critiques established conceptions of the act of collecting, arguing for recognition of how indigenous makers and consumers impacted upon ‘British’ collection practices, and querying the notion of a homogenous British approach to material culture from the Andaman and Nicobar Islands.
表中的内容
List of Figures
List of Maps
Acknowledgements
List of Abbreviations
Introduction: Imperial Encounters and Material Culture
Chapter 1. Production, Use, Exchange: Spheres of Influence in the Andaman and Nicobar Islands
Chapter 2. Colonial Perspectives on Material Culture from the Andaman and Nicobar Islands
Chapter 3. Wider Spheres of Influence: The Andaman and Nicobar Islands in Victorian and Edwardian Britain
Chapter 4. Public Property: The Andaman and Nicobar Islands at Brighton Museum, 1900 – 1949
Chapter 5. Objects and Encounters Today
Bibliography
Index
关于作者
Claire Wintle is a Senior Lecturer in the History of Art and Design at the University of Brighton. She holds degrees from the Universities of Manchester and Sussex and has worked in collections and public programs at the Royal Pavilion and Museums, Brighton & Hove, and National Museums Liverpool.
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