E Nesbit was one of the great British Edwardian storytellers, whom we now remember most for her children’s novels. But she wrote ghost stories prolifically for adults, her imagination focused on the detail of the domestic to draw out horror, chills and delight.
Revel in the dark side of Victorian and Edwardian England, where visiting a house of strangers becomes a trial of nerve, and rediscovering the past leads you into strange and terrifying places. Melissa Edmundson, a noted authority on supernatural writing from this period and the curator of Women’s Weird and Women’s Weird 2, has selected the best of E Nesbit’s short scary fiction for this new Handheld Classic.
表中的内容
Stories include: ‘John Charrington’s Wedding’, ‘The Ebony Frame’, ‘The Mass for the Dead’, ‘The White Lady’, ‘From the Dead’, ‘Hurst of Hurstcote’, ‘The Haunted Inheritance’, ‘The Power of Darkness’, ‘The House of Silence’, ‘No. 17’, ‘In the Dark’, ‘The Violet Car’, ‘The Haunted House’, ’The Pavilion’ and ‘The Detective’.
关于作者
Melissa Edmundson is Lecturer in British Literature at Clemson University and specializes in nineteenth and early twentieth-century British women writers, with a particular interest in women’s supernatural fiction. She is the editor of a critical edition of Alice Perrin’s East of Suez (1901, 2011), and author of Women’s Ghost Literature in Nineteenth-Century Britain (2013) and Women’s Colonial Gothic Writing, 1850-1930: Haunted Empire (2018). Her other work includes essays on the First World War ghost stories of H D Everett and haunted objects in the supernatural fiction of Margery Lawrence, as well as a chapter on women writers and ghost stories for The Routledge Handbook to the Ghost Story. She has edited Avenging Angels: Ghost Stories by Victorian Women Writers (2018). Her Handheld Press titles include Women’s Weird: Strange Stories by Women, 1890-1940 (2019), Women’s Weird 2: More Strange Stories by Women, 1891-1937 (2020), and Elinor Mordaunt’s The Villa and the Vortex (2021).
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