‘Therese Raquin’ originally came out under the title of ‘A Love Story’ in a paper called the ‘Artiste, ‘ edited by that famous art critic and courtier of the Second Empire, Arsene Houssaye, author of ‘Les Grandes Dames, ‘ as well as of those charming volumes ‘Hommes et Femmes du 18eme Siecle, ‘ and many other works.
Zola received no more than twenty-four pounds for the serial rights of the novel, and he consented at the insistence of the Editor, who pointed out to him that the periodical was read by the Empress Eugenie, to draw his pen through certain passages, which were reinstated when the story was published in volume form. I may say here that in this translation, I have adopted the views of the late M. Arsene Houssaye; and, if I have allowed the appalling description of the Paris Morgue to stand, it is, first of all, because it constitutes a very important factor in the story; and moreover, it is so graphic, so true to life, as I have seen the place myself, times out of number, that notwithstanding its horror, it really would be a loss to pass it over.
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