Frederick Douglass Opie deconstructs and compares the foodways of people of African descent throughout the Americas, interprets the health legacies of black culinary traditions, and explains the concept of soul itself, revealing soul food to be an amalgamation of West and Central African social and cultural influences as well as the adaptations blacks made to the conditions of slavery and freedom in the Americas.
Sampling from travel accounts, periodicals, government reports on food and diet, and interviews with more than thirty people born before 1945, Opie reconstructs an interrelated history of Moorish influence on the Iberian Peninsula, the African slave trade, slavery in the Americas, the emergence of Jim Crow, the Great Migration, the Great Depression, and the Civil Rights and Black Power movements. His grassroots approach reveals the global origins of soul food, the forces that shaped its development, and the distinctive cultural collaborations that occurred among Africans, Asians, Europeans, and Americans throughout history. Opie shows how food can be an indicator of social position, a site of community building and cultural identity, and a juncture at which different cultural traditions can develop and impact the collective health of a community.
表中的内容
List of Illustrations
Introduction
1. The Atlantic Slave Trade and the Columbian Exchange
2. Adding to my Bread and Greens
3. Hog and Hominy
4. The Great Migration
5. The Beans and Greens of Necessity
6. Eating Jim Crow
7. The Chitlin Circuit
8. The Declining Influence of Soul Food
9. Food Rebels
Epilogue
Notes
Bibliography
Index
关于作者
Frederick Douglass Opie teaches history at Babson College. He is author of
Black Labor Migration in Caribbean Guatemala, 1882-1923 and a blogger at www.frederickdouglassopie.blogspot.com, where he conducts ‘Daily Musings on Culture, History, and Food with Related Recipes.’ He has appeared on the popular American Public Media show
The Splendid Table and is a regular guest on Philadelphia National Public Radio’s
The Chef’s Table.
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