Taxidermy, once the province of natural history and dedicated to the pursuit of lifelike realism, has recently resurfaced in the world of contemporary art, culture, and interior design. In Speculative Taxidermy, Giovanni Aloi offers a comprehensive mapping of the discourses and practices that have enabled the emergence of taxidermy in contemporary art. Drawing on the speculative turn in philosophy and recovering past alternative histories of art and materiality from a biopolitical perspective, Aloi theorizes speculative taxidermy: a powerful interface that unlocks new ethical and political opportunities in human-animal relationships and speaks to how animal representation conveys the urgency of addressing climate change, capitalist exploitation, and mass extinction.
A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability. Carefully considering a select number of key examples including the work of Nandipha Mntambo, Maria Papadimitriou, Mark Dion, Berlinde De Bruyckere, Roni Horn, Oleg Kulik, Steve Bishop, Snæbjörnsdóttir/Wilson, and Cole Swanson, Speculative Taxidermy contextualizes the resilient presence of animal skin in the gallery space as a productive opportunity to rethink ethical and political stances in human-animal relationships.
表中的内容
Acknowledgments
Prologue: The Carnal Immanence of Political Realism—Realism, Materiality, and Agency
Introduction: New Taxidermy Surfaces in Contemporary Art
1. Reconfiguring Animal Skins: Fragmented Histories and Manipulated Surfaces
2. A Natural History Panopticon: Power, Representation, and Animal Objectification
3. Dioramas: Power, Realism, and Decorum
4. The End of the Daydream: Taxidermy and Photography
5. Following Materiality: From Medium to Surface—Medium Specificity and Animal Visibility in the Modern Age
6. The Allure of the Veneer: Aesthetics of Speculative Taxidermy
7. This Is Not a Horse: Biopower and Animal Skins in the Anthropocene
Coda: Toward New Mythologies—the Ritual, the Sacrifice, the Interconnectedness
Appendix: Some Notes Toward a Manifesto for Artists Working with and About Taxidermy Animals, by Mark Dion and Robert Marbury
Notes
Bibliography
Index
关于作者
Giovanni Aloi is a lecturer in art history, theory, and criticism at the School of the Art Institute of Chicago, Sotheby’s Institute of Art New York and London, and Tate Galleries. He is the author of
Art and Animals (2011) and the founder and editor-in-chief of
Antennae: The Journal of Nature in Visual Culture.
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