Morevolumes on ‘Deleuze and Artistic Research’:Machinic Assemblages of Desire The Dark Precursor (Two-Volume Set)Unique focus on the relation between artistic researchand the philosophy of Gilles Deleuze Aberrant Nuptials explores thediversity and richness of the interactions between artistic research and Deleuze studies. Aberrant nuptials is the expression Gilles Deleuze uses torefer to productive encounters between systems characterised by fundamentaldifference. More than imitation, representation, or reproduction, theseencounters foster creative flows of energy, generating new materialconfigurations and intensive experiences. Within different understandings ofartistic research, the contributors to this book architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers mapcurrent practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written byestablished Deleuze scholars who have been working on interferences between artand philosophy, and by musicians and artists who have been reflecting Deleuzianand Post-Deleuzian discourses in their artworks, this volume reflects thecurrent relevance of artistic research and Deleuze studies for the arts.Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidadde las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA Universityof Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical Universityof Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (Universityof Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (Universityof Vilnius), Andrea Eckersley (RMITUniversity), Lucia D Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmo), janjagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King s College London), Liana Psarologaki (University of Suffolk), Emilia Marra (Universityof Trieste), Tero Nauha (Helsinki Collegium), Stefan Ostersjo (Orpheus Institute), Simon O Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (Universityof Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (Universityof Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute).This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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