Hal Foster, author of the acclaimed
Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a ‘global style’ of architecture-as practiced by Norman Foster, Richard Rogers and Renzo Piano-analogous to the international style of Le Corbusier, Gropius and Mies.
More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the ‘art-architecture complex’ provides invaluable insight into broader social and economic trajectories in urgent need of analysis.
关于作者
Hal Foster is the author of numerous books, including The Art-Architecture Complex; The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha; Bad New Days: Art, Criticism, Emergency; and, with Richard Serra, Conversations about Sculpture. He teaches at Princeton University, co-edits the journal October, and contributes regularly to the London Review of Books.
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