With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.
A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres – including African American cinema, queer cinema, documentary, familial dysfunction and exploitation – are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.
表中的内容
Introduction by the Editor
Film of the Year
The Hurt Locker
Industry Spotlight
Interviews with Adam Green and Wayne Kramer
Cultural Crossover
John Waters and Baltimore
Scoring Cinema
Mulholland Drive
Directors
Stuart Gordon
Charlie Kaufman
David Lynch
African-American Cinema
The American Nightmare
Chemical World
Crime
Documentary
Exploitation USA
Familial Dysfunction
Narrative Disorder
On the Road
Queer Cinema
Rural Americana
Slackers
The Suburbs
Underground USA
关于作者
John Berra is a lecturer in Film and Language Studies at Renmin University of China. He is the author of Declarations of Independence: American Cinema and the Partiality of Independent Production (2008); editor of the Directory of World Cinema: American Independent volumes 1, 2 and 3; editor of the Directory of World Cinema:Japan volumes 1, 2 and 3; co-editor of World Film Locations: Beijing (2012) and World Film Locations: Shanghai (2014); and co-editor of the East Asian Journal of Popular Culture. He has also contributed to Electric Shadows: A Century of Chinese Cinema (2014). He is also a contributor to magazines, including Electric Sheep and Film International.
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