Through a series of case studies, this book tracks the inventive distribution and exhibition initiatives developed over the last 40 years by an array of small companies on the periphery of the beleaguered UK film industry. That their practices are now being replicated by a new generation of digital distributors demonstrates that, while the digital ‘revolution’ has rendered those practices far easier to undertake and hugely increased their scope, the key issues in securing a more diverse moving image culture are not technological. Although largely invisible to outsiders, the importance of distributors and distribution networks are widely recognized within the industry and Reaching Audiences is a key contribution to our understanding of the role they both do and can play.
表中的内容
Foreword by Geoffrey Nowell-Smith
Introduction: So Much More than Meets the Eye
Chapter 1: DIY, Counterculture and State Funding: The London Film-Makers’ Co-op
Chapter 2: Exhibition, Political Agendas and Access to Audiences: The Other Cinema and Cinema of Women
Chapter 3: Technology, Television and Seeking Wider Audiences: London Video Access/London Electronic Arts and Albany Video Distribution
Chapter 4: Promotion, Selection and Engaging Audiences: Circles, Film and Video Umbrella, London Video Access and London Film-Makers’ Co-op
Chapter 5: Changing Conditions, Under-Resourcing and Self-Sustainability: Cinenova
Chapter 6: Questions of Strategy, Policy and Agency: The Lux Saga
Chapter 7: Understanding Distribution
关于作者
Peter Thomas is senior lecturer in Academic Writing and Language for the Faculty of Arts and Creative Industries at Middlesex University. His research interests include the generative role of writing in creative practice; academic literacies; interdisciplinarity and collaboration; and practice as research.
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