‘The sky. The water. The air. It won’t keep snapping back. You can’t keep refreshing the screen. A lie is not a white lie, or a half-lie or a false truth or fake news… It’s a lie and we call it a lie, or everything’s cracking underneath us.’
Mona is a young woman on the edge. All she sees is the Earth falling apart, but no one really seems to care. Amidst the chaos of competing and contradictory voices, she sets off on a kaleidoscopic journey to find solutions for the planet – and the truth about her family – in the hope that everything might start to make sense again.
Lizzie Nunnery’s Heavy Weather is a powerful, timely play about one girl taking control of her destiny in a world teetering on the brink. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books. Aimed at achieving greater gender equality in theatre, Platform comprises big-cast plays with predominantly, or all, female casts, written specifically for performance by young actors.
关于作者
Lizzie Nunnery is a scriptwriter and songwriter working in theatre, radio and film.
Her first stage play Intemperance (Liverpool Everyman, 2007) was awarded five stars by the Guardian and shortlisted for the Meyer-Whitworth Award. Narvik (Box of Tricks Theatre, UK tour, 2017) was shortlisted for the Susan Smith Blackburn Prize and won Best New Play in the UK Theatre Awards. It was described as a ‘thrillingly enigmatic memory play’ by the Guardian.
Other work includes the co-written verbatim play Unprotected (Everyman/Traverse Theatre, 2006, winner of the Amnesty International Freedom of Expression Award), The Swallowing Dark (Liverpool Playhouse/Theatre503, 2011), The Sum (Everyman, 2017), The People Are Singing (Manchester Royal Exchange, 2017), The Snow Dragons (National Theatre, 2017) and To Have to Shoot Irishmen (Almanac Arts, UK tour, 2018).
Her radio drama series, Daphne: A Fire in Malta, was broadcast on BBC Radio 4 in 2019. Lizzie is also a singer and musician, collaborating with composer Vidar Norheim.
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