The paradigmatic moment of the opposition between the verbal and the visual arts may be seen in Lessing’s treatise on the Laocooen sculptural group, written in 1766; a moment that is identified within a historical framework of modern aesthetics that begins with Lessing, goes through Pater, and then culminates in Greenberg. The author delineates the opposition as a history of diffusions, displacements and idealist reparations of class division.
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格式 PDF ● 网页 315 ● ISBN 9781443830843 ● 出版者 Cambridge Scholars Publishing ● 发布时间 2011 ● 下载 6 时 ● 货币 EUR ● ID 2611340 ● 复制保护 Adobe DRM
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