Tunisian cinema is often described as the most daring of all Arab cinemas. For many, Tunisia appeared to be a model of equipoise between ‘East’ and ‘West, ‘ and yet, during Zine El Abidine Ben Ali’s presidency, from 1987 to 2011, the country became the most repressive state in the Maghreb. Against considerable odds, a generation of filmmakers emerged in the mid-1980s to make films that are allegories of resistance to the increasingly illiberal trends that were marking their society.
In New Tunisian Cinema, Robert Lang focuses on eight films by some of the nation’s best-known directors, including Man of Ashes (1986), Bezness (1992) and Making Of (2006) by Nouri Bouzid, Halfaouine (1990) by Férid Boughedir, The Silences of the Palace (1994) by Moufida Tlatli, Essaïda (1997) by Mohamed Zran, Bedwin Hacker (2002) by Nadia El Fani, and The TV Is Coming (2006) by Moncef Dhouib. He explores the political economy and social, historical, and psychoanalytic dimensions of these works and the strategies filmmakers deployed to preserve cinema’s ability to shape debates about national identity. These debates, Lang argues, not only helped initiate the 2011 uprising that ousted Ben Ali’s regime but also did much to inform and articulate the aspirations of the Tunisian people in the new millennium.
表中的内容
Preface
Acknowledgments
1. The Nation, the State, and the Cinema
2. ‘The freedom to be different, to choose your own life’: Man of Ashes (Nouri Bouzid, 1986)
3. Laughter in the Dark: Sexuality and the Police State in Halfaouine (Férid Boughedir, 1990)
4. Sexual Allegories of National Identity: Bezness (Nouri Bouzid, 1992)
5. The Colonizer and the Colonized: The Silences of the Palace (Moufida Tlatli, 1994)
6. ‘It takes two of us to discover truth’: Essaïda (Mohamed Zran, 1996)
7. ‘It takes a lot of unruly individuals to make a free people’: Bedwin Hacker (Nadia El Fani, 2002)
8. Inventing the Postcolonial Nation/Constructing a Usable Past: The TV Is Coming (Moncef Dhouib, 2006)
9. ‘Destiny answers the people’s call for life, darkness will be dispelled, and chains will break’
Notes
Filmography
Glossary
Bibliography
Index
关于作者
Robert Lang is professor of cinema at the University of Hartford. He is the author of
Masculine Interests: Homoerotics in Hollywood Film and
American Film Melodrama: Griffith, Vidor, Minnelli and the editor of
The Birth of a Nation: D. W. Griffith, Director. He was a Fulbright Senior Scholar at the University of Tunis from 1993 to 1994 and from 2001 to 2003.
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