Sheridan Le Fanu 
Uncle Silas: A Tale of Bartram-Haugh [EPUB ebook] 

Uncle Silas: A Tale of Bartram-Haugh – Sheridan Le Fanu – Uncle Silas, subtitled ‘A Tale of Bartram-Haugh’, is an 1864 Victorian Gothic mystery-thriller novel by the Irish writer J. Sheridan Le Fanu. Despite Le Fanu resisting its classification as such, the novel has also been hailed as a work of sensation fiction by contemporary reviewers and modern critics alike. It is an early example of the locked-room mystery subgenre, rather than a novel of the supernatural (despite a few creepily ambiguous touches), but does show a strong interest in the occult and in the ideas of Emanuel Swedenborg, a Swedish scientist, philosopher and Christian mystic.
Like many of Le Fanu’s novels, Uncle Silas grew out of an earlier short story, in this case ‘A Passage in the Secret History of an Irish Countess’ (1839), which he also published as ‘The Murdered Cousin’ in the collection Ghost Stories and Tales of Mystery (1851). While this earlier story was set in Ireland, the novel’s action takes place in Derbyshire; the author Elizabeth Bowen was the first to identify a distinctly Irish subtext to the novel, however, in spite of its English setting. It was first serialized in the Dublin University Magazine in 1864, under the title Maud Ruthyn and Uncle Silas, and appeared in December of the same year as a three-volume novel from the London publisher Richard Bentley. Several changes were made from the serialization to the volume edition, such as resolving the inconsistencies of names.
The novel is a first-person narrative told from the point of view of the adolescent girl Maud Ruthyn, an heiress living with her sombre, reclusive father Austin Ruthyn in their mansion at Knowl. Through her father and her worldly, cheerful cousin, Lady Monica Knollys, she gradually learns more regarding her uncle, Silas Ruthyn, a black sheep of the family whom she has never met; once an infamous rake and gambler, he is now apparently a fervently reformed Christian. His reputation has been tainted by the suspicious suicide of a man to whom Silas owed an enormous gambling debt, which took place within a locked, apparently impenetrable room in Silas’s mansion at Bartram-Haugh.
In the first part of the novel, Maud’s father hires a French governess, Madame de la Rougierre, as a companion for her. Madame terrifies Maud and appears to have designs on her; during two of their walks together, Maud is brought into suspicious contact with strangers that seem to be known to Madame. (In a cutaway scene that breaks the first-person narrative, we learn that she is in league with Silas’s good-for-nothing son Dudley.) The governess is eventually dismissed when she is discovered by Maud in the act of burgling her father’s desk.
Maud is asked in obscure terms by her father if she is willing to undergo some kind of ‘ordeal’ to clear the name of her uncle, and of the family more generally; shortly after she assents, he dies. At the reading of his will, it emerges that her father added a codicil to it: Maud is to stay with Silas until she comes of age; if she dies whilst still a minor, the estate will pass to Silas. Lady Knollys, together with Austin’s executor and fellow Swedenborgian, Dr. Bryerly, attempt in vain to overturn the codicil, realizing its many dangerous implications for the young heiress; despite their efforts, Maud consents willingly to spending the next three and a half years at Bartram-Haugh.