<P><B>Winner of the Association for Asian American Studies Book Award in Poetry (2012)</B></P><P>How do we read a book as an object in a network, in a post-book, post-reading, meta-data environment? Seven Controlled Vocabularies models a generic book, a kind of field guide to the arts, wherein distinctions between various aesthetic disciplines are relaxed or dissolved and where avant-garde notions of difficulty are replaced with more relaxing and ambient formats such as yoga, disco, and meditation. Each of the book’s seven sections is devoted to a particular art form—film, photography, painting, the novel, architecture, music, and theory—and includes both text and found photographs as it explores the idea of what it means to be a book in an era when reading is disappearing into a diverse array of cultural products, media formats, and aesthetic practices. Seven Controlled Vocabularies will be available in a variety of print and electronic book delivery systems and formats.</P><P><B>Hardcover is un-jacketed.</B></P>
表中的内容
<P>A Dedication<BR>Some Acknowledgments<BR>A Field Guide to American Painting<BR>A Field Guide to the American Landscape<BR>American Architecture Meta Data Containers<BR>2 Identical Novels<BR>A Dictionary of Systems Theory<BR>Various Library Standards<BR>A Field Guide to American Cinema<BR>Two Colophons</P>
关于作者
<P>TAN LIN is a writer, artist, and critic. He has published three books of poetry, Lotion Bullwhip Giraffe (1996), Blip Soak01 (2003), and Heath: Plagiarism/Outsource (2007). His visual and video works have been exhibited at the Yale University Art Gallery, the Sophienholm (Copenhagen), and the Marianne Boesky Gallery. He is a professor of English and creative writing at New Jersey City University.</P>
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