表中的内容
Foreword by Barbara L. Wheeler. 1. Microanalysis in Music Therapy: Introduction and Theoretical Basis. Thomas Wosch, University of Applied Sciences, Wuerzburg and Schweinfurt, Germany and Tony Wigram, Aalborg University, Demark. Part One: Video Microanalyses. 2. An Ethnographic Descriptive Approach to Video Microanalysis. Ulla Holck, Aalborg University, Denmark.3. Microanalysis of Preverbal Communication in Music Therapy. Christine Plahl, University of Applied Sciences, Munich, Germany. 4. Microanalysis on Selected Video Clips with Focus on Communicative Response in Music Therapy. Hanne Mette Ridder, Aalborg University, Denmark. 5. Microanalysis of Interaction in Music Therapy (MIMT) with Children with Developmental Disorders. Julia Scholtz, Universitatsklinik, Dresden, Germany, Melanie Voigt, Kinderzentrum Munchen, Germany and Thomas Wosch. 6. The ‘AQR-instrument’ (Assessment of the Quality of Relationship) – An Observation Instrument to Assess the Quality of a Relationship. Karin Schumacher, University of Arts, Berlin, Germany and Claudine Calvet, University of Arts, Berlin, Germany. 7. The Use of Improvisation Assessment Profiles (IAPs) and Rep Grid in Microanalysis of Clinical Music Improvisation. Brian Abrams, Immaculata University, US. Part Two: Music Microanalyses. 8. Using Voice Analysis Software to Analyse the Sung and Spoken Voice. Felicity Baker, University of Queensland, Australia. 9. Analysis of Notated Music Examples Selected from Improvisations of Psychotic Patients. Jos De Backer, College of Art and Science, Leuven, Belgium and Tony Wigram. 10. Music Therapy Toolbox (MTTB) – An Improvisation Analysis Tool for Clinicians and Researchers. Jaakko Erkkilä, University of Jyväskylä, Finland. 11. A Structural Model of Music Analysis. Denise Grocke, University of Melbourne, Australia. 12. Microanalysis of Emotional Experience and Interaction in Single Sequences of Active Improvisatory Music Therapy. Ute A.A. Inselmann, University of Wüzburg, Germany. 13. The Music Interaction Rating Scale (Schizophrenia) (MIR(S)) Microanalysis of Co-improvisation in Music Therapy with Adults Suffering from Chronic Schizophrenia. Mercédès Pavlicevic, Nordoff-Robbins Music Therapy Centre, UK. 14. The Use of Micro-musical Analysis and Conversation Analysis of Improvisation: `The Invisible Handshake’ – Free Musical Improvisation as Conversation. Julie Sutton, Centre for Psychotherapy, Belfast, Northern Ireland. 15. A Phenomenologically Inspired Approach to Microanalyses of Improvisation in Music Therapy. Gro Trondalen, Norwegian Academy of Music, Oslo, Norway. 16. Event-based Analysis of Improvisations Using the Improvisation Assessment Profiles (IAPs). Tony Wigram. 17. Measurement of Emotional Transitions in Clinical Improvisations with EQ 26.5. Thomas Wosch. 18. Microanalysis of Processes of Interactions in Clinical Improvisation with IAP-Autonomy. Thomas Wosch. 19. Steps in Researching the Music in Therapy. Lars Ole Bonde, Aalborg University, Denmark. Part Three: Text Microanalyses. 20. Understanding Music Therapy Experiences Through Interviewing: A Phenomenological Microanalysis. Katrina Mc Ferran, University of Melbourne, Australia and Denise Grocke. 21. Text Analysis Method for Micro Processes (TAMP) of Single Music Therapy Sessions. Kerstin Ortlieb, University of Applied Science, Magdeburg and Stendal, Germany, Maria Sembdner, Otto-von-Guericke University, Magdeburg, Germany, Thomas Wosch and Jörg Frommer, Otto-von-Guericke University, Magdeburg, Germany. 22. Microanalysis in Music Therapy: A Comparison of Different Models and Methods and their Application in Clinical Practice, Research and Teaching Music Therapy. Tony Wigram and Thomas Wosch. List of Contributors. Subject Index. Author Index.
