For three years, playwright Spencer Szabo has been sitting on the best work of his career — a show about the life and death of C-list fifties actor, Kip Palmer. His actress neighbor deems it wonderful. His agent calls it unmarketable. Then hotshot director Mick Darby rolls into New York and practically begs Spencer to let him put Dead Man’s Curve onstage where it belongs.Mick’s passion is contagious, but Spencer quickly discovers they share more than professional respect. They get along as if they’ve known each other for years, while underneath their easy friendship simmers a physical attraction more intense than he’s ever experienced. It takes the threat of their lead’s flirting to shatter Mick’s policy never to get involved with someone he’s working with, but is their budding relationship really so innocent? Or is Mick holding back on what truly inspired him to seek Spencer out?