New media art, produced at the intersection of science and technology, makes up the majority of a Museum of Contemporary Art’s holdings. However, technological obsolescence and the technical complexity of the works make their conservation-restoration an ongoing challenge. The Theory of Evolutive Conservation addresses this problem and offers alternatives and solutions from the production of new media art to recreation as a strategy of permanence through change.
عن المؤلف
Ph D in Telecommunications from the Universidad Politécnica de Madrid and Ph D in New Media Art Restoration from the Universidad Europea de Madrid. Producer and restorer of new media art. He is a regular collaborator of the Museo Nacional Centro de Arte Reina Sofía and professor at the Universidad Politécnica de Madrid and Universidad Complutense de Madrid.
المزيد من الكتب الإلكترونية من نفس المؤلف (المؤلفين) / محرر
74٬541 كتب إلكترونية في هذه الفئة
