New media art, produced at the intersection of science and technology, makes up the majority of a Museum of Contemporary Art’s holdings. However, technological obsolescence and the technical complexity of the works make their conservation-restoration an ongoing challenge. The Theory of Evolutive Conservation addresses this problem and offers alternatives and solutions from the production of new media art to recreation as a strategy of permanence through change.
关于作者
Ph D in Telecommunications from the Universidad Politécnica de Madrid and Ph D in New Media Art Restoration from the Universidad Europea de Madrid. Producer and restorer of new media art. He is a regular collaborator of the Museo Nacional Centro de Arte Reina Sofía and professor at the Universidad Politécnica de Madrid and Universidad Complutense de Madrid.
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