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D. W. Griffith (1875–1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the c …

Since the release of his breakout film Irréversible in 2002, Gaspar Noé (b. 1963) has been labeled the principal provocateur of twenty-first-century French cinema. While many of the filmmaker’s compl …

In the early twentieth century, the art world was captivated by the imaginative, original paintings of Henri Rousseau, who, without formal art training, produced works that astonished not only the pu …

Renowned for his masterful storytelling, Alan J. Pakula (1928–1998) left an indelible mark on cinema history. Alan J. Pakula: Interviews offers a concise yet comprehensive overview of the director’s …

A humble man from humble beginnings, Danny Boyle (b. 1956) became a popular cinema darling when Slumdog Millionaire won big at the 2009 Academy Awards. Prior to this achievement, this former theater …

First published in 1983, Shiguéhiko Hasumi’s Directed by Yasujir ō Ozu has become one of the most influential books on cinema written in Japanese. This pioneering translation brings Hasumi’s landmark …

In the 1970s, British filmmaker Ken Russell (1927–2011) quickly gained a reputation as the enfant terrible of British cinema. His work, like the man himself, was regarded as flamboyant, excessive, an …

Orson Welles was once asked which directors he most admired. He replied: ‚The old masters. By which I mean John Ford, John Ford, and John Ford.‘ A legend in his own time, John Ford (1894–1973) receiv …

The auteur theory—the belief that a director’s personal influence and artistic control over a movie are so great that the filmmaker is regarded as the key artist in making a film—was first popularize …