Ameryka Północna, Ameryka Środkowa

Rejseoplevelser fra USA med enkelte sidespring til andre områder i verden. Oplevelserne er forsøgt fortalt på en underholdende og ikke altid seriøs måde. Oplevelserne er samlet ind under 25 rejser ti …

Russ Meyer: Interviews offers a detailed look into the mind, life, and successful career of the maverick filmmaker Russ Meyer. Known for his audacious visual style and boundary-pushing content, Meyer …

After nearly fifty years of disrupting media, gleefully Rabelaisian uberindie filmmaker Lloyd Kaufman (b. 1945) has been maligned, mocked, and—worst of all— ignored throughout the general course of h …

D. W. Griffith (1875–1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the c …

In the early twentieth century, the art world was captivated by the imaginative, original paintings of Henri Rousseau, who, without formal art training, produced works that astonished not only the pu …

Since the release of his breakout film Irréversible in 2002, Gaspar Noé (b. 1963) has been labeled the principal provocateur of twenty-first-century French cinema. While many of the filmmaker’s compl …

Renowned for his masterful storytelling, Alan J. Pakula (1928–1998) left an indelible mark on cinema history. Alan J. Pakula: Interviews offers a concise yet comprehensive overview of the director’s …

 International Film Festival (MIFF) is Australia’s most revered celebration of cinema. It is one of the world’s oldest and most storied film festivals, continuously running since 1952. MIFF’s 70 …

The winner of two Academy Awards for Best Foreign Film in only five years, Asghar Farhadi (b. 1972) has become Iran’s most prominent director since the late Abbas Kiarostami. Around the world, especi …

Recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a lexicon of film terms tied to anecdotes spanning Grlić’s life. “I read a lot this year. Old, new, borrowed, blue. This …