In the wake of the explosion in the production of essay films over the last twenty-five years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the »long duree» of the twentieth century and into the twenty-first. Beyond the Essay Film seeks to not only acknowledge the influential predecessors of this – in the view of many critics – most interesting type of contemporary filmmaking – but also to speculate about its possible transformation as we move forward into the uncharted waters of the twenty-first – digital -century. Focusing on three specific axes that underpin and shape the articulation of the essay film as a specific cultural form – subjectivity, textuality and technology – this book explores how changes along and across these dimensions affect historical shifts within essay film practice and its relation to other types of cinema and neighbouring art forms.