In the wake of the explosion in the production of essay films over the last twenty-five years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the »long duree» of the twentieth century and into the twenty-first. Beyond the Essay Film seeks to not only acknowledge the influential predecessors of this — in the view of many critics — most interesting type of contemporary filmmaking — but also to speculate about its possible transformation as we move forward into the uncharted waters of the twenty-first — digital -century. Focusing on three specific axes that underpin and shape the articulation of the essay film as a specific cultural form — subjectivity, textuality and technology — this book explores how changes along and across these dimensions affect historical shifts within essay film practice and its relation to other types of cinema and neighbouring art forms.
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