Andy Campbell & Amelia Jones 
Queer Communion [EPUB ebook] 
Ron Athey

Acknowledgments – Amelia Jones and Andy Campbell

Prelude – Amelia Jones and Andy Campbell

Introduction: Queer Communion and the Worlds of Ron Athey – Amelia Jones

Writing Athey – Amelia Jones

Previously Published – Unless otherwise noted, text entirely by Ron Athey

Unpublished – From the Ron Athey archive

Reflections

The Alchemist: Ron Athey – Lisa Teasley  

Anatomy of a Revival – Karen Gonzalez Rice

The Right to Bleed in Public: On Premature Ejaculation – Leon J. Hilton  

“A Poetry of Meaningful Experience”: Miss Velma Jaggers’s Stagecraft, Fisting, and Ron Athey’s Miraculous Acts – Andy Campbell

Ron Athey Rolls Deep – Lisa Newman

The Beauty of the Dork – Vaginal Davis and Ron Athey, reprint from LA Weekly

big brother/big sister – Cesar Padilla  

AIDS, Athey, and Culture War – Jonathan D. Katz  

An Unruly Archive By Each of Us Towards Each of Us… – Julie Tolentino  

Father Daughter Love – Zackary Drucker  

Athey-ism – Bruce La Bruce

Divine Fire: Ron Athey in Europe – Dominic Johnson  

The Light of Night – Lia Gangitano

Object Lessons 

Codpiece – Amelia Jones  

HIV Lifecycle Model – Andy Campbell  

Honcho – David Getsy  

“Rod ‘n’ Bob” (Arrested Intimacies of the Flesh) – Amber Jamilla Musser  

Leigh Bowery Cape – Alpesh Kantilal Patel  

Resonate/Obliterate (or, Untitled [Dear Ron]) – Ming-Yuen S. Ma 

“Raised in the Lord” – Jennifer Doyle

General Checklist – Amelia Jones  

Ron Athey Timeline – Ana Briz and Andy Campbell  

Index

Amelia Jones is the Robert A. Day Professor at the Roski School of Art and Design at the University of Southern California. A curator and a theorist and historian of art and performance, her recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012), Perform Repeat Record: Live Art in History (2012, co-edited with Adrian Heathfield), the anthology Sexuality (2014), and Otherwise: Imagining Queer Feminist Art Histories (2016, co-edited with Erin Silver). Her exhibition, Material Traces: Time and the Gesture in Contemporary Art, took place in 2013 in Montreal. She edited ‘On Trans/Performance’, a special issue of Performance Research (2016).